By Michael Sorkin
The celebrated radical architect returns with an anthology at the politics and tradition of architecture.
All Over the Map is an pressing reaction to the unconventional alterations in modern structure and the outfitted setting witnessed within the twenty-first century. frequently polemic, incisive and full of life, those essays discover urgent questions of architectural and concrete layout, and important problems with public area and participation. From ny to New Orleans, the Amazon to Jerusalem, Sorkin brings a severe eye to endure on a sweeping diversity of subjects.
Whether castigating the sorry functionality of the architectural avant-garde, contemplating the character of position in globalized tradition, or delivering mock directions for getting into a high-security setting, those writings make a robust and provocative case for structure and concrete layout to re-engage with the lives and societies from which they've got turn into more and more indifferent.
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Additional info for All Over the Map: Writing on Buildings and Cities
For busy too are the celestial byways. The ancestors are on their way. To welcome them, the house has been meticulously cleaned. It has been decorated with fruit and flowers. ) As evening falls, the streets come alive with lanterns. There they decorate the graves of their depart ed—with fruit, rice balls, sakaki branches. The spirits accept the invitation, and—by the light of yet another lantern—are escorted back to the house. At the door shoes are removed (by living and dead alike); and everyone passes inside.
For during it one’s ancestors drop by for a visit. The Festival of the Dead is essentially a family reunion. For busy too are the celestial byways. The ancestors are on their way. To welcome them, the house has been meticulously cleaned. It has been decorated with fruit and flowers. ) As evening falls, the streets come alive with lanterns. There they decorate the graves of their depart ed—with fruit, rice balls, sakaki branches. The spirits accept the invitation, and—by the light of yet another lantern—are escorted back to the house.
And the game continues. Each poet contributes a stanza—its opening lines always the closing lines of the previous stanza. This goes on until 36 (or more) stanzas have been completed. For example, at designated points a reference must be made to the moon or to cherry blossoms. The stanzas are read aloud as they are written—to sighs of appreciation, laughter, and calls for more wine. Matsuo was nearly 30 when he arrived, with little money and no prospects. He sup ported himself at first by taking odd jobs, including a stint as a scribe.
All Over the Map: Writing on Buildings and Cities by Michael Sorkin