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ISBN-10: 0813553237

ISBN-13: 9780813553238

The last decade from 2000 to 2009 is framed, at one finish, through the tense disaster of the 11th of September assaults at the international exchange heart and, on the different, by means of the election of the 1st African American president of the us. In among, the U.S. and the realm witnessed the fast enlargement of latest media and the web, such normal failures as typhoon Katrina, political uprisings world wide, and a major meltdown of worldwide economies.

Amid those crises and revolutions, American motion pictures spoke back in a number of methods, occasionally without delay reflecting those turbulent instances, and occasionally not directly couching historical past in conventional genres and tales.

In American Cinema of the 2000s, essays from ten most sensible movie students learn such renowned sequence because the groundbreaking Matrix movies and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat motion pictures like Juno; and the resurgence of documentaries like Michael Moore’s Fahrenheit 9/11.  each one essay demonstrates the advanced ways that American tradition and American cinema are sure jointly in refined and demanding methods.

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Extra resources for American Cinema of the 2000s: Themes and Variations

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S. Lewis. Yet the marquee adaptations were less part of a literary tradition than part of a popular culture of video games and comic books. Early in the decade, Lara Croft: Tomb Raider (2001) became the first of numerous film re-creations of popular video games, while X-Men (2000), based on the fictional Marvel Comics characters of the same name, began a spate of comic book adaptations. Spider-Man (2002) was the first installment of a series that would include two sequels (2004 and 2007); the first was the third highest-grossing film of 2002 with $822 million worldwide, while the latter surpassed the first with a gross of $891 million.

The fascination with animation moved in another direction as cinematic adaptations turned toward superheroes and super-villains from comic books and graphic novels. Traditional adaptations of novels and plays remained a strong current with films such as Doubt (2008), the cinematic version of a dark drama about a Catholic priest in the 1960s, or The Chronicles of Narnia series (2005–2010), based on the books by C. S. Lewis. Yet the marquee adaptations were less part of a literary tradition than part of a popular culture of video games and comic books.

Even these acts of violence appear to be simulations—derivative of late-night slasher films. Thus in one of the final murders, Bateman chases his victim down a winding stairwell with a battery-operated chainsaw simultaneously evoking the cult-classic The Texas Chain Saw Massacre and Fritz Lang’s M. Like the serial murderer in M, Beckert, Bateman pleads insanity. And like Beckert’s victims in M, Bateman’s are initially those from the lower classes. 1 The interesting twist in American Psycho comes near the end of the film when Bateman tries to confess his crimes to his lawyer.

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American Cinema of the 2000s: Themes and Variations

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