Love and loyalty, hatred and revenge, worry, deprivation, and political ambition: those are the explanations which thrust the characters portrayed in those 3 Sophoclean masterpieces directly to their collision path with catastrophe.
Recognized in his personal day as might be the best of the Greek tragedians, Sophocles' attractiveness has remained undimmed for 2 and a part thousand years. His maximum innovation within the tragic medium was once his improvement of a imperative tragic determine, confronted with a try of will and personality, risking obloquy and dying instead of compromise his or her rules: it truly is extraordinary that Antigone and Electra either have a lady as their intransigent 'hero'. Antigone dies particularly overlook her accountability to her relations, Oedipus' selection to avoid wasting his urban ends up in the terrible discovery that he has devoted either incest and parricide, and Electra's unremitting anger at her mom and her lover retains her in servitude and despair.
These vibrant translations mix attractiveness and modernity, and are extraordinary for his or her lucidity and accuracy. Their sonorous diction, financial system, and sensitivity to the numerous metres and modes of the unique musical supply cause them to both appropriate for analyzing or theatrical peformance.
Readership: scholars of all collage degrees in drama, classics, comparative literature, theatre reviews. A-level `Classical Civilization' scholars.
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Additional resources for Antigone, Oedipus the King, Electra (Oxford World's Classics)
81 For Schopenhauer, the will’s ever-striving need reaches an aporia, a deadening languor, that is displayed in a life-congealing boredom. There is no “progress” in the Hegelian sense, only the odious condition of a feckless will which no action can tame. Human endeavors and desires merely sustain us with the vainglorious hope that their fulfillment will be volition’s final goal, with the irony being that once the goal is achieved, another takes its place. Avant-gardism stands for an image of the future that breaks decisively with human continuity.
You have a red mouth, Marie! No blisters on it? Marie, you’re beautiful as sin. How can mortal sin be so beautiful? MARIE: Franz, it’s your fever making your talk this way! (122) Two remarkable facets of this play are its epochal arrangement of scenes and its recognition of war as an historical overview. In the first case, we know little about the author’s plan; four (some fragmentary) versions of the play were 28 A History of Modern Drama discovered by the author’s brother decades after Büchner’s death.
98 Poor, uneducated, and socially disenfranchised, Woyzeck is at the mercy of the military. ”99 The magnitude of his helplessness undermines any attempt to explain his condition; yet Steiner is not entirely correct: Woyzeck occasionally expresses his anguish with pellucid clarity. Woyzeck is the first drama of the underclass and his inarticulateness (and selfawareness of this fact) is expressed with razor-sharp insight. Despite his downtrodden condition, lack of education, and the awkwardness of his language (the stuttering and stammering), Woyzeck is aware of the futility of his circumstances.
Antigone, Oedipus the King, Electra (Oxford World's Classics) by Sophocles